Harp & Altar

Shane Book is a graduate of the University of Iowa Writers’ Workshop and was a Wallace Stegner Fellow at Stanford University. His awards include a New York Times Fellowship in Poetry, an Academy of American Poets Prize, and a National Magazine Award. He teaches at Stanford and is producing and directing the documentary film Laborland.


Adam Clay is the author of The Wash (Parlor Press, 2006). He lives in Michigan.


Josh Dorman’s work has been exhibited in solo shows at galleries including 55 Mercer, The CUE Foundation, and Pierogi in New York, George Billis in Los Angeles, and Hallwalls in Buffalo. His work has also been included in group shows at the Drawing Center, the National Academy Museum, the Islip Art Museum, and Hunter College, among others, and has been exhibited internationally, in Traun, Austria, and Leipzig, Germany. He received his MFA from Queens College in 1992 and has been granted residencies at Yaddo and the Millay Colony. Images of his work are available at www.joshdorman.net.

A Canadian currently living in Brooklyn, Corey Frost's stories have appeared in Matrix, Geist, The Walrus, and other magazines. He was named the Best Spoken Word Artist in 2001 by the Montreal Mirror. He is currently writing a book about spoken word scenes around the world as part of a doctoral dissertation. A CD of his performances, Bits World: Exciting Version, is forthcoming. His books include The Worthwhile Flux (2004) and My Own Devices: Airport Version (2006), both published by Conundrum Press.


Sarah Gridley received her MFA in poetry from the University of Montana. She is the author of Weather Eye Open (University of California Press/New California Poetry Series, 2005) and is currently a Visiting Lecturer in Poetry at Case Western Reserve University in Cleveland, Ohio.


Elise Harris is a freelance writer living in Brooklyn. Her profile of the poet Noelle Kocot appeared in the first issue of Harp & Altar.


Joanna Howard's work has appeared in Conjunctions, Chicago Review, Quarterly West, Western Humanities Review, Fourteen Hills, and elsewhere. Her chapbook In the Colorless Round, illustrated by Rikki Ducornet, was published in 2006 by Noemi Press. She received her Ph.D. in creative writing from the University of Denver in 2004 and currently lives in Providence, where she teaches at Brown University and is an editor for Encyclopedia Project.


Steve Katz was one of the founders of Fiction Collective (now FC2). He has taught creative writing at Cornell University, Brooklyn College, Queens College, the University of Iowa Writer's Workshop, the University of Notre Dame, and the University of Colorado at Boulder, from which he retired in 2003. He's also tended bar, worked construction, waited tables, and mined for mercury. His books include Creamy & Delicious, Wier & Pouce, Florry of Washington Heights, Swanny's Ways, Saw, Moving Parts, and Stolen Stories. His most recent books are the novel Antonello’s Lion (Green Integer, 2005) and the collection Kisssss?, which is forthcoming in 2007 from FC2. The stories in this issue are from an ongoing project of memoirs titled Memoirrhoids.


Joanna Klink's second book, Circadian, is forthcoming from Penguin in 2007. She teaches poetry at the University of Montana.


Michael Newton is a current MFA candidate at the Cranbrook Academy of Art in Michigan, though his artwork is kind of hard to explain. His gallery reviews also appeared in the first issue of Harp & Altar.


Peter O'Leary's book of criticism, Gnostic Contagion: Robert Duncan & the Poetry of Illness, was published in 2002 by Wesleyan. A new book of poetry, Depth Theology, appeared last year from Georgia. He lives on the West Side of Chicago, in Berwyn.


Katie Peterson was born in California. She is the Robert Aird Professor of Humanities at Deep Springs College in Deep Springs, California. Her book of poems, This One Tree, won the New Issues Poetry Prize and was published in 2006 by New Issues/Western Michigan University Press.


Johannah Rodgers is a writer who lives in Brooklyn. Her chapbook Necessary Fictions was published by Sona Books in 2003, and her short stories and essays have appeared in Fiction, CHAIN Arts, The Brooklyn Rail, Pierogi Press, and Fence. Her book sentences, a collection of stories, essays, and artwork, was published this year by Red Dust Press.


Brandon Shimoda’s writings appear in recent or forthcoming editions of MiPOesias, Free Verse, Practice, Washington Square, Xantippe, the tiny, and elsewhere. He has projects forthcoming from both Corollary Press and Flim Forum Press. He currently teaches at the University of Montana in Missoula, where he also curates the New Lakes reading and performance series.


Kate Schreyer is currently studying fiction in the MFA program at the University of North Carolina at Greensboro.


Michael Zeiss’s story “Notes Toward a Supreme Action Movie” appeared in the first issue of Harp & Altar.

Ozark to Avrum
Steve Katz

Ozark was small but mighty. She was black and tan, had a lot of terrier in her. We picked her out of a box of puppies offered for free by a mom and daughter in a grocery parking lot in Ozark, Missouri. She grew up in a stone house outside of Ithaca, New York. She came with us when we went to work for the Forest Service in Idaho, and was never afraid to chase a bear, or scatter elk. She was great company when I went down to the spring to fill the water bags. She flushed a coyote that chased her yelping out of the woods. The coyote stopped when it saw me, and ran away. She fled from the doe with twin fawns that then turned on me and sent me up a tree. She was all spirit, a happy, feisty dog. Ozark came with us to Eugene, Oregon, where among other changes, we were about to become parents. We were twenty-one. Jingle rode up to the lookout as a slim ex-rodeo queen from Winnemucca, Nevada. She came out of the wilderness of the Clearwater National Forest with a melon in her belly.

She was determined to nurse our child, had been preparing to do that, she told me, since she was four years old. It was December, raining as usual in Eugene, Oregon, when she entered Sacred Heart Hospital for the second time. The first time was a false alarm. This time was for real. The hospital was across the street from our house. Husbands were not allowed to witness the delivery, so Ozark and I waited at home for news of the arrival of Avrum. I felt like a young recruit going in to battle for the first time. I had never been a father before. I was twenty-one. I had never been anything before. Ozark was a comfort. They came home on a rainy Sunday afternoon. As Jingle tells it, her waters burst all over the nurse’s face and clothes as she bent over to inspect the process. It was an embarrassment she brought home as we entered the house, into the stage of life called young family. Jingle immediately started to nurse. She tried to nurse. She had a fever. She went to bed and did nothing but nurse. Her milk was failing. She was miserable. How could she accept this? For so many years she had anticipated with pleasure the responsibility of nursing her baby. Nature was failing her now. I felt her forehead. It was burning. Avrum sucked at her nipple, turned away and cried, sucked again. No milk. Nothing. I thought of my childhood. All through it I’d been taunted by my peers for having tits. The cruel kids called me “Tits”. That had been a deep humiliation, but this would be a vindication, if only I could nurse the boy. I would have done it, just to ease my wife’s despair. I was trapped in the biological harness of my gender. What could we do? Jingle had been so focused on nursing we hadn’t prepared a fallback position. Adele Davis was her guru. She advised not even to prepare any other system. Mother’s milk was psychological. To even entertain anything else could screw up the natural process. I felt Jingle’s forehead. She was burning. No milk. The baby screamed. Not even Billie Holiday singing “God Bless the Child” could cut into me like that. “Get bottles,” said Jingle, out of her delirium. “What?” “Bottles. Formula.” I understood what she meant. I’d never given it a thought. It was Sunday night. We were new in town, had no friends. It was raining, new moon dark. Nothing was open. I called the hospital. They directed me to the one open pharmacy in town. No, no doctor was available till tomorrow. Jingle could have gone back to the hospital. But she wouldn’t go back. That much we knew. I left her with our son. She was delirious with fever. I jumped into the beetle, and with sirens wailing in my mind, headed across town for the pharmacy. A kind clerk, who saw my panic, explained the bottles and formula mystery.

Before I opened the door, I could hear the baby crying. He was still alive. Jingle was still trying to nurse. In the crumple of sheets she looked like she’d been abandoned in the desert. Ozark, our best friend, had thrown up all over the living room. It was too much for me. No one who hasn’t been through the pleasures of the parenting nightmare, can understand this panic. It is terminal. What do I do first? Clean up the dog vomit, comfort the wife, feed the baby? What I did is unthinkable now. I threw Ozark out the window. It was only one floor down, and she didn’t even yelp as she landed in some bushes. “Boil the bottles. Sterilize,” commanded Jingle, hoarse from fever. I did everything she said. I mixed the formula. I filled a sterile bottle with formula, stuck it in boiling water, tested the heat on my wrist. When it felt right, I picked Avrum up. Jingle had passed out in her fever. Was she going to die? Would I have to raise the kid by myself? I’d never held a baby before. So fragile. It seemed to teeter on the edge of life. I didn’t know what I was doing, had never thought about it. I kept pushing the nipple in and out of its mouth, as if this was a blowjob. I fear I ruined the kid for life. My own kid. I was weeping. He got fed. He burped. He quieted down. This was miraculous. I lay him down next to his mother in bed. She was feverish, but breathing. I cleaned up the dog vomit. Jingle and baby slept peacefully. I went outside in the rain and looked in the bushes for Ozark. I called her name. She was gone. I set up some formula to prepare for the next feeding, then fell asleep in the easy chair. The next day we found out Jingle had pneumonia. She never got her milk back until Nikolai was born. He nursed for nine months. We never saw Ozark again.

I dedicate this kibble of prose to Ozark, to whom I apologize deeply. And I write it for all our wonderful dogs: for Junk who got smashed by a car, for Grapes whom we had to leave behind, for Face, the hyper one, who ran with me on mushroom hunts, for her son, Hank, who chased cows and had to be put down, for Sampson, the glutton, the huge willful fool. Dogs bless us with their shorter lives, and help us understand how to deal with separation and loss. I thank you all, and hope we all can meet again in the happy hunting ground.